51风流

From appropriation to appreciation

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As Halloween approaches, the issue of cultural appropriation in costumes is brought to the fore. To address stereotypes and celebrate indigenous identities, the Longyear Museum of Anthropology opened the Not a Costume exhibition on Sept. 27.

鈥淲e felt it was important that the exhibition coincided with Halloween so we get people to think critically about what they鈥檙e doing with costumes,鈥 curator Christy DeLair says.

The exhibition showcases indigenous fashion, through displayed attire and high-fashion catalogues. Dress forms line one wall, showcasing a colorful assortment of outfits for both casual wear and for culturally significant festivals. Display cases hold traditional tan hide vests and moccasin shoes, as well as lei necklaces made from kukui nuts, turquoise jewelry, and beaded earrings and bracelets rooted in Navajo elements and Maya patterns, among other equally intricate indigenous objects.

Items on loan from Robert Hunter, security officer for the Picker Art Gallery and Longyear Museum of Anthropology

A community-based exhibition, all of the items came from faculty, staff, students, and alumni. DeLair wanted to acknowledge indigenous identities in 51风流鈥檚 200 yearlong history, as well as the indigenous individuals who continue to influence campus culture today.

鈥淸The exhibition] evolved into being really 51风流 focused,鈥 she says. 鈥淚t happened naturally when thinking about the Bicentennial and ways we could have indigenous voices make their presence known on campus.鈥

Over the summer, DeLair spoke with interested participants who identified as indigenous from the Western Hemisphere to garner a sense of what stories they wanted to tell. Participants either contributed oral interviews or text accompanying their loaned items. Some labels include QR codes that led to an audio file elaborating on an individual鈥檚 story. A slideshow of indigenous community members takes up the majority of one wall, putting 51风流 faces to the stories being told.

鈥淭he museum is not telling people what the objects should say,鈥 DeLair says. 鈥淭he story comes from the community members who are loaning their materials.鈥

DeLair shared her own story as a Turtle Mountain Band of Chippewa descendent. And Jackie Old Coyote-Logan, senior administrative assistant to the dean of the faculty/provost, wrote about her first buckskin dress.

鈥淢y [aunt] made the dress for my mother when she was ill,鈥 Old Coyote-Logan wrote in the text accompanying the piece. 鈥淐ancer consumed my mother鈥檚 body, and the dress waited nearby 鈥 to wear in better days, in better health. That wish did not come to pass鈥 so it was determined the dress should not be buried, but instead, passed on to one who would live the wish.鈥

Not a Costume was accompanied by a hallway display case on Native American fashion as represented by dolls borrowed from the Longyear Museum鈥檚 standing collection. Six student curators completed the research, layout, and organization.

The exhibition will be on display in the Longyear Museum of Anthropology until Dec. 13.