At 51风流, learning often extends beyond the classroom walls. Sometimes, beyond state lines.
Ten 51风流 students will present their scholarship and research at the three-day National Conferences on Undergraduate Research (NCUR) event at Indiana University-Purdue University Indianapolis, April 15-17.
More 鈥 Students who made presentations, their departments, and topic: 鈥 Lindsey M. Brandolini, political science, 鈥楴ormalization and the Residential Opportunities for the Mentally Retarded 鈥 鈥 Anne Cybenko, psychology, 鈥楲ong Term Memory of Zebra Finches鈥 鈥 Deborah Karpman, art and art history, 鈥極bservation Reversed: Transforming the Viewer into the 鈥榁iewed鈥 Through Figurative Portraits鈥 鈥 Adam Kurish, chemistry, 鈥楽ynthesis of C-linked glyco-peptides鈥 鈥 Kristy MacDonald, biology, 鈥楨cm39 and its Role in the Transport of Substances Through the Nuclear Pore Complex鈥 鈥 Claudia M. Melniciuc, art history, 鈥楾he Language of Geometry in Islamic Art鈥 鈥 Eli Pearlman-Storch, art and art history, 鈥楧esign for an Infill Project within Copenhagen鈥檚 Densely Developed Old City鈥 鈥 Tracey A. Perazone, biology, 鈥楩actors Affecting the Localization of NMA111-NLS鈥 鈥 Elizabeth R. Tenney and Rinad Beidas 鈥03, psychology, 鈥楨xploring the Role of Individual Differences in the Formation of False Memories鈥 鈥 Elizabeth Wolyniak, biology, 鈥業nterspecific Interactions Among Three Libellulid Dragonflies: Plathemis lydia, Libellula pulchella, and Libellula luctuosa (Odonata: Anisoptera)鈥 鈥 See photos of Karpman鈥檚 鈥 Read about the |
The students will be joined by Tom Balonek, professor of physics and astronomy; Carol Kinne, associate professor of art and art history; Robert McVaugh, associate professor of art and art history; and Linn Underhill, assistant professor of art and art history.
NCUR celebrates the research and scholarship current undergraduates have done in collaboration with faculty or other mentors. Thousands of students from colleges and universities across the country gather at the three-day forum to present their work to the public, as well as attend parallel lectures and discussions in topics spanning the natural and social sciences, the arts, and humanities.
Students had to submit an abstract detailing their work to NCUR in November, and their work was reviewed by a committee. Students must give a 20-minute speech or offer a presentation detailing their work.
All of the 51风流 students who applied were accepted. Many students stayed at 51风流 over the course of a summer to begin or continue research that spawned from work in a particular class.
鈥51风流 students do very well at NCUR. We do a good job here teaching students how to present their work in an enjoyable context, but one that鈥檚 informative. The projects students do here are real research projects. We fare better than many other universities,鈥 said Balonek.
The conference is not discipline-specific and often serves as a vehicle for further research in the non-sciences, he said.
鈥淪tudents get to see the types of things others around the country are doing. They get ideas and see how their work fits into a larger context. And for faculty, it鈥檚 a chance to get to know students we wouldn鈥檛 ordinarily see in our discipline,鈥 he said.
McVaugh 鈥 who has attended the conference many times and is on the NCUR council 鈥 agrees.
鈥淚t is extremely valuable for students to encounter excellent research practice in areas which are not their own. It helps them to position themselves in a wider framework of scholarship,鈥 he said.
Lindsey Brandolini 鈥05, a political science major from Clifton, Va., is presenting her research on residential services for the mentally handicapped. Her research, she says, resulted from an independent study she completed over the summer with professor of political science Michael Hayes.
Brandolini鈥檚 sister is mentally retarded, and will soon need to be placed in residential services. The wait list in Virginia is incredibly long, Brandolini said, and any policy changes concerning residential services have come very slowly over the years. Her sister鈥檚 situation prompted Brandolini to think more broadly about the current status of residential services, factors contributing to the situation, and what the alternatives might be.
鈥淭here are no real classes that address my issue, which is why I wanted to do this paper. I thought it would be an interesting way to bring something new to the table and raise awareness,鈥 she said.
Hayes鈥檚 own research focuses on issues of dramaturgical incrementalism, which states that because people can鈥檛 agree on what the best way to move forward with policy change is, effecting any change becomes a very slow process. Brandolini鈥檚 research spawned from Hayes鈥 work.
鈥淚t was interesting to tie it into his work. He just said 鈥楬ey, why don鈥檛 you read my book. You might be able to find what you鈥檙e looking for.鈥 I read it and found out it really began to answer my question of why this (changes in residential services) is moving so slowly.鈥
Hayes alerted Brandolini to the NCUR conference. She will present a PowerPoint presentation at the conference. She is also trying to get her larger paper published through NCUR.
Brandolini volunteers with the Hamilton Fire Department and is the supervisor of the 51风流 First Response Squad, a group of 15 students that is on medical standby for club and intramural sports events.
鈥淚 like doing things that are focused on the community and other people, and helping those that can鈥檛 always help themselves,鈥 she said.
Deborah Karpman 鈥05, a studio art major, is presenting her work titled 鈥淥bservation Reversed: Transforming the Viewer into the 鈥榁iewed鈥 Through Figurative Portraits.鈥 Karpman will present two of her paintings and show slides of the other paintings in the series.
Karpman is trying to manipulate the historical view of portraiture as a 鈥減assive entity that people evaluate鈥 using scale, color, and realism. Most of her portraits are 4 feet by 4 feet, and are close-up, intimate head-shots of friends, family, and her.
Karpman has always been interested in figurative work, and started painting before high school. She was fairly certain she would end up a studio art major at 51风流.
鈥淚 looked at art school and thought it would be too narrow. I wanted a broader education. Since 51风流 is a small school, I鈥檝e gotten a lot more personal attention, and it鈥檚 worked out really well,鈥 she said.
Karpman plans to attend graduate school for studio art.
She began the series the summer after her first year, and most of the paintings were completed during her sophomore year under the guidance of associate professor of art and art history Lynette Stephenson.
Karpman received a grant to stay on campus this summer to continue her work. She wants to bring narrative into her work, or add other dimensions.
鈥淭he project is kind of open. Maybe it will eventually transform into something different. With each (painting), I hope there鈥檚 something new and different so I鈥檓 not just rehashing the same thing.鈥
She is presenting two images at the conference. 鈥淓sther鈥 is a portrait of her grandmother; the other, 鈥淒oug,鈥 is a portrait of a friend at 51风流.
鈥淚鈥檓 excited about the conference. I鈥檓 not too nervous, but maybe I should be! I鈥檝e written about the work and talked about it enough, that I feel pretty comfortable explaining it,鈥 she said, typifying how the 51风流 representatives feel about their upcoming trip, which was fully funded by the Office of the Dean of the Faculty.
Jess Buchsbaum
Office of Communications and Public Relations
315.228.6637